Showing posts with label Marianne Wiggins. Show all posts
Showing posts with label Marianne Wiggins. Show all posts

November 28, 2010

The book, launched; others read, friend visited

Yesterday the book launch for Out To Lunch happened, in the local Paekakariki Hall. Fifty or so friends and a few relations came, many bought books. Jobs had been shared around, so it wasn’t a big preparation-stress for anyone, I think. 



We each read from our own selection for a couple of minutes, with the partner of, our member who died last year, reading for her. People ate the food, 


prepared by the same partner — her wish — with help from one of us writers and drank the punch and wine, overseen by the partner of another writer, and milled about talking to each other and bought books and had us all sign them. It was a lovely sunny afternoon and the new side doors of the hall were open, looking out to a bank of flowers and the freshly-painted white church, and it was all lovely.

The whole group project, from critiquing each others’ work, to the publication process, to the launch itself has been great. Next year we will meet in late January and continue to critique each others’ writing. As the costs of producing the book were covered, we are banking the money from sales and in a couple of years will think about another project. If anyone is keen to buy a copy of the book (178 pages, $20.00) email me at pat dot rosier at xtra dot co dot nz.

Reading Cynthia Ozick has its challenges. 


She prefers “classic feminism” to what she calls “new feminism.” She’s writing in the 1970s when she says this. If I’m reading her correctly, she endorses feminism as women gaining “access to the great world of thinking, being and doing.” She does NOT go along with any idea of “’male’ and ‘female’ states of intellect and feeling.” She doesn’t, in what I have read so far, address the “how to” of women getting the access she refers to, or being taken seriously and judged fairly when they do. I have a 1993 collection of her essays from the library and am interested to find out what else she has to say about feminism. I’ll look out for her 2010 novel Foreign Bodies, which is a reinvention of a Henry James novel. (Oh dear, do I have to read Henry James?)

Other reading includes Marianne Wiggins’ Evidence of Things Unseen


As this is current reading for my book group, I won’t talk about it in detail, just say that I love the science in it and the detail of time and place. I am learning about the Tennessee Valley Authority, which is fascinating.

My friend in Auckland liked the-story-known-as-Ann and gave me some excellent feedback on it. I’m still unsatisfied with the end of this novel and her comments about it losing emotional drive in the last couple of chapters have given me an idea to strengthen it in a way I like. It will be another week before I get to actually work seriously on this.

The friend I visit who has Altzheimers has read a couple of my short stories and given me wonderful feedback on them. She has read them several times, she told me, and they get better every time. Do I have more? A collection? When am I publishing them? She had made a few notes on the printouts, perceptive and useful comments. We had a great conversation about these stories for more than ten minutes. As I was leaving an hour later, she picked up the pages and said, “Did we talk about these?” My appreciation of her appreciation of my stories was undiminished, but it was all I could do not to cry, as I said something like, “Yes, we did and I’m so pleased that you like them,” and she looked confused and put down the papers. She wanted to read more of my stories, so today I posted two to her address at the rest home where she lives and talks often of getting back to her home and garden, in the country, several kilometres from the nearest town.  What she misses most, she says, is being able to practise her "domestic arts" — her phrase — which include growing flowers and picking and arranging them in her house, cooking, entertaining, spinning and weaving. The one she can do, and does constantly in the rest home, is knitting. She says it is soothing.


She knitted me a scarf. "With love," she said.

We are having this run of sunny, calm weather which is a delight. (Last summer I remember constant wind.) So our decision to spend the summer at home — after all, we do live at the beach — feels like a good one. Any day soon I may even scrub up the barbecue that sat out on our wind-exposed deck all last summer and never got lit once. 


I notice that today is 28 November. It is my sister's birthday. She killed herself at age 56. Today she would have been 73. I am remembering you, Ngaire.

October 29, 2010

Disappointed, flattered and assembling

Now that I have figured out, again, how to  post pictures to this blog, here is the cover of the book of Virginia Woolf’s essay On Being Ill that I couldn’t post last time.  Both the essay and the introduction by Hermione Lee were a disappointment. HL did little more than summarise the essay, with a bit of context, and the essay itself started off with a fantastic few pages and then rather dribbled along to an ending that HL made rather too much of. If anyone else has read this essay I’d love to know what you thought of it. Please note that my disappointment at this piece does not diminish my admiration of either Hermione Lee or Virginia Woolf overall. I do, also, have the lovely book.

The book this month for my book group is Marianne Wiggins’ Evidence of Things Unseen, which I haven’t yet managed to get a copy of. The library did however have The Shadow Catcher on the shelf so I’m reading that in the meantime. I had not previously heard of Marianne Wiggins, and am enjoying The Shadow Catcher a lot. It’s called a novel, the protagonist is called Marianne Wiggins and one of the major characters is a true historical figure, photographer Edward Curtis. The overblown blurb says that this book, “chases the silhouettes of our collective history into the bright light of the present.” Fortunately the book itself is not written in this ornate style.

Out to Lunch, the book of writings by members of my writing group is almost ready for printing. There’s always some anxiety at this time — what mistakes have we missed? Have we spelt everyone’s name right every time? Will we meet the deadline? Will anything bad show up in the proof copy? Will the printers meet their deadline?

I’ve finished the latest edit of the-book-known-as-Ann. Except I have one more thought about the lead up to the ending. I don’t know what I want to do next about it. I’ve had helpful feedback from my partner, who is so far the only person to have read it all and from my writing group, who have read the first two chapters. More readers, I guess. I’ll just make this one addition, then I’ll print it out again and … watch this space.

Someone I know slightly who is trying to get a book published following the renegging of a publisher who had said they would, is reading this blog from the beginning and taking notes! It’s the self-publishing posts she’s interested in, I think. I am strangely flattered by her interest.

I’ve got all these short pieces of writing, many of them in several versions, so I’m going through the writing folder on my computer and taking the ones that I think have something in them and assembling them into one file. As I go I’m putting pieces together that seem to fit together. There’ll be sixty pieces in all, I think. Not short stories, exactly, although some are. Possibly a prequel, in the same volume, to Ann. There's whole lot of thinking going on.